Monthly Archives: December 2020

mediating presents

cover_issue_7_en_USMediating Presents, a special issue I coedited with the fantastic Rebecca Coleman, is just out with Media Theory (on open access). As we suggest in our summary, “it is both productive and necessary to think together ‘the present’ and mediation to understand how various interlocking aspects of socio-cultural life are currently produced, organised and arranged, embodied and affectively experienced. The contributions to the special issue see time not as a neutral backdrop to, but as actively constituted by and constitutive of, (digital) media, and develop broad understandings of both media and the temporality of the present/present temporalities. The special issue develops theoretically informed and engaged understandings of digital media presents, drawing from and expanding a range of theoretical traditions, including feminist, queer and anti-racist theory, science and technology studies, media theory, philosophy and cultural theory. They similarly take seriously an array of objects, practices and processes, extending from public and academic debates and figurations, mundane and routinised activities, the affordances of specific platforms and computational and data-driven software.”

Contributors include Xin Liu, Beckie Coleman, Ella Harris, Chris Ingraham, Nishat Awan, Helen Pritchard, Jara Rocha, Femke Snelting and Tony D. Sampson – plus yours truly with Distracted Present, Golden Past? critically examining zeitgeist diagnoses equating networked media with notions of loss.

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Filed under academic pleasures, affect theory, cultural studies, data culture, media studies

nipples, memes, and algorithmic failure

Our “Nipples, memes, and algorithmic failure: NSFW critique of Tumblr censorship” is just out on open access with New Media & Society. Elena Pilipets is very much the first author with her methods magic.

And here’s the abstract: In November 2018, after being suspended from Apple’s App Store for hosting child pornography, Tumblr announced its decision to ban all NSFW (not safe/suitable for work) content with the aid of machine-learning classification. The decision to opt for strict terms of use governing nudity and sexual depiction was as fast as it was drastic, leading to the quick erasure of subcultural networks developed over a decade. This article maps out platform critiques of and on Tumblr through a combination of visual and digital methods. By analyzing 7306 posts made between November 2018 (when Tumblr announced its new content policy) and August 2019 (when Verizon sold Tumblr to Automattic), we explore the key stakes and forms of user resistance to Tumblr “porn ban” and the affective capacities of user-generated content to mobilize engagement.

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Filed under academic pleasures, affect theory, data culture, internet research, NSFW

dependent, distracted, bored

screenshot-2020-12-05-at-15.37.49My book a decade in the making is out in April with MIT Press, which makes me very happy. This is a project I started when Carnal Resonance was out in 2011 and I felt I had little more to say about porn or sex. And then I did and wrote other stuff instead. Anyway. Despite the name, Dependent, Distracted, Bored: Affective Formations in Networked Media is about ambiguity and has the best cover. And here’s the publisher’s summary:

In this book, Susanna Paasonen takes on a dominant narrative repeated in journalistic and academic accounts for more than a decade: that we are addicted to devices, apps, and sites designed to distract us, that drive us to boredom, with detrimental effect on our capacities to focus, relate, remember, and be. Paasonen argues instead that network connectivity is a matter of infrastructure and necessary for the operations of the everyday. Dependencies on it do not equal addiction but speak to the networks within which our agency can take shape.

Paasonen explores three affective formations—dependence, distraction, and attention—as key to understanding both the landscape of contemporary networked media and the concerns connected to it. Examining social media platforms, mindfulness apps, clickbaits, self-help resources, research reports, journalistic accounts, academic assessments, and student accounts of momentary mundane technological failure, she finds that the overarching narrative of addicted, distracted, and bored users simply does not account for the multiplicity of things at play. Frustration and pleasure, dependence and sense of possibility, distraction and attention, boredom, interest, and excitement enmesh, oscillate, enable, and depend on one another. Paasonen refutes the idea that authenticity can be associated with lives led “off the grid” and rejects the generational othering and scapegoating of smart devices prescribed by conventional wisdom.

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Filed under academic pleasures, affect theory, feminist media studies, internet research, Uncategorized