How to Do Things with Affects: Affective Triggers in Aesthetic Forms and Cultural Practices, edited by Ernst van Alphen and Tomáš Jirsa, is just out with Brill. An impressive collection that comes with just a little bit of smut, namely my chapter entitled “Monstrous Resonance: Affect and animated pornography” that looks at monster cartoon porn, some audience insights and, well, affect theory.
Category Archives: affect theory
Sooner than expected! Out in October, my Many Splendored Things: Thinking Sex and Play has already been reviewed, not once, but twice — apparently with more to follow. Voilà, Katherine Angel for Times Higher Education (behind paywall) and João Florêncio for Theory, Culture & Society. Always a thrill to be read.
Should you be in the UK March 7-8, do join us at The Pleasures of Violence conference at Oxford Brookes University: “This conference aims to consider questions of abuse, misuse of power and aggression in the (post-)digital age from a variety of perspectives and fields, exploring the relationship between violence (physical, psychological, symbolic, et al) and digitality writ large. It also takes seriously the pleasures on offer through such digital violence, whether that is the action cinema’s fight sequence or the trainwreck celebrity. Is “digital violence” a redundant category? How does violence play out in different national contexts and creative industries: cinema, gaming, photography, music, fashion?” My contribution addresses tentacle rape porn and some empirical inquiry into pornographic preferences.
Edited by Anu Koivunen, Katariina Kyrölä & Ingrid Ryberg, The Power of Vulnerability: Mobilizing Affect in Feminist, Queer and Anti-Racist Futures is just out with Manchester Univerity Press, on open access. The volume includes my piece, “Spectacularly wounded: White male vulnerability as heterosexual fantasy” looking into, yes, the Fifty Shades books. And here’s the book description:
The power of vulnerability interrogates the new language of vulnerability that has emerged in feminist, queer and anti-racist debates about the production, use and meanings of media. The book investigates the historical legacies and contemporary forms and effects of this language. In today’s media culture, traumatic first-person or group narratives have popular currency, mobilising affect from compassion to rage to gain cultural visibility and political advantage. In this context, vulnerability becomes a kind of capital, a resource or an asset that can and has been appropriated for various groups and purposes in public discourses, activism as well as cultural institutions. Thus, politics of representation translates into politics of affect, and the question about whose vulnerability counts as socially and culturally legible and acknowledged. The contributors of the book examine how vulnerability has become a battleground; how affect and vulnerability have turned into a politicised language for not only addressing but also obscuring asymmetries of power; and how media activism and state policies address so-called vulnerable groups. While the contributors investigate the political potential as well as the constraints of vulnerability for feminist, queer and antiracist criticism, they also focus on the forms of agency and participation vulnerability can offer.
Our article, “Littles: Affects and Aesthetics in Sexual Age-Play“, co-authored together with the fantastic Katrin Tiidenberg, is just out, on open access, with Sexuality & Culture. And here’s the abstract:
This article explores the experiences and practices of self-identifying female sexual age-players. Based on interviews and observation of the age players’ blogged content, the article suggests that, rather than being fixed in one single position, our study participants move between a range of roles varying across their different scenes. In examining accounts of sexual play, we argue that the notion of play characterizes not only their specific routines of sexual “scening” but also sexual routines, experimentations, and experiences more expansively. Further, we argue that a focus on play as exploration of corporeal possibilities allows for conceptualizing sexual preferences and practices, such as age-play, as irreducible to distinct categories of sexual identity. The notion of play makes it possible to consider sexuality in terms of transformations in affective intensities and attachments, without pigeonholing various preferences, or acts, within a taxonomy of sexual identities. In doing so, it offers an alternative to the still prevalent categorical conceptualizations of sexuality that stigmatize people’s lived experiences and diminish the explanatory power of scholarly and therapeutic narratives about human sexuality.
In case you happen to be around in Aarhus late this month, please join us for the Affects, Interfaces, Events conference August 29-30. According to organizers’ overall rationale, “The proliferation of digital and interactive technologies in most aspects of our daily lives produces an intensified distribution of affect. Existential conditions change through affective interface foldings of bodies, subjectivities and technologies. The conference Affects, Interfaces, Events investigates how affective interface events – on a micro- and macro-level – reinforce or challenge these changes. A major concern of the conference is to consider interface modulations on an affective, social, aesthetic, and political level.” In addition to keynotes from Erin Manning, Brian Massumi, Andrew Murphie and myself, the programme has an exciting selection of panel sessions. Looking forward.