Our brand new book Objectification: On the Difference Between Sex and Sexism is out today with Routledge. Co-authored with a dream team — Feona Attwood, Alan McKee, John Mercer and Clarissa Smith — the book tracks the academic and activist uses of the notion of objectification, investigates some of its analytical shortcomings and argues for the necessity of separating critiques of sexism from those concerning sexual display. The book is intended for teaching and it should be accessible for undergraduate students. And here’s the publisher’s description:
This is a concise and accessible introduction into the concept of objectification, one of the most frequently recurring terms in both academic and media debates on the gendered politics of contemporary culture, and core to critiquing the social positions of sex and sexism.
Objectification is an issue of media representation and everyday experiences alike. Central to theories of film spectatorship, beauty fashion and sex, objectification is connected to the harassment and discrimination of women, to the sexualization of culture and the pressing presence of body norms within media. This concise guidebook traces the history of the term’s emergence and its use in a variety of contexts such as debates about sexualization and the male gaze, and its mobilization in connection with the body, selfies and pornography, as well as in feminist activism.
It will be an essential introduction for undergraduate and postgraduate students in Gender Studies, Media Studies, Sociology, Cultural Studies or Visual Arts.
Chapter One: What counts as objectification?
Chapter Two: Male gaze and the politics of representation
Chapter Three: Radical feminism and the objectification of women
Chapter Four: Sex objects and sexual subjects
Chapter Five: Measuring objectification
Chapter Six: What to do with sexualized culture?
Chapter Seven: Beyond the binary
Chapter Eight: Disturbingly lively objects
An article we did with Daniel Cardoso asking why people publish print magazines (of the post-porn kind, broadly construed) these days, is just out with Porn Studies as “The Value of print, the value of porn“, with free eprints through the link. The article is based on interviews with the makers of two independent magazines, Ménage à trois and Phile, and it explores a range of things from sexual politics to influences and the material properties of paper.
I’ve described my past few years as exceptionally crazy work-wise and it’s not just a figment of my melodramatic imagination. Many Splendored Things (2018) and NSFW (2019, with Kylie Jarrett and Ben Light) were both mainly written in 2017. We coined the prospectus for Who’s Laughing Now? Feminist Tactics in Social Media with Jenny Sundén in December 2017, wrote it in 2018-2019, and the book will be out this November. The proposal for Objectification: On the Difference Between Sex and Sexism with Feona Attwood, John Mercer, Alan McKee and Clarissa Smith was done two years ago and the actual thing is due out August. Last but not least, Dependent, Distracted, Bored: Affective Formations in Networked Media, for which I started collecting material back in 2012, has a due-date for March. One book already has a cover (with Barbie! and glitter!), am looking forward to the other designs materializing.
For March, I’m very happy to be visiting prof at University of Florence, Dipartimento di Scienze Politiche e Sociali. Should you be around, we have a NSFW workshop planned for the 20th, which can only be grand. Bienvenuti!
edit: Yes, I was very happy, but for obvious reasons things got cut short. We’re still hoping to arrange a workshop at another point.
Very glad that our Affective Body Politics special issue, coedited with Kaisu Hynnä-Granberg and Mari Lehto, is now out with Social media + society, on open access. The eight articles are based on presentations at the Affective Politics of Social Media symposium that we organized at University of Turku in 2017, and they explore all kinds of things from Reddit tributing to debates on public breastfeeding, Chaturbate, #MeToo, Netflix bingeing, fat activism and the online platforms of Transgender Nation.
I’m so delighted to be invited to the Association of Internet Researchers Flashpoint Symposium 2020, in Porto Alegre, Brazil, April 17, which is bound to be fabulous:
The theme of the conference, “Digital Transformations: Polarization, media manipulation, and resistance”, seeks to discuss political polarization and media manipulation, focusing on their effects on young democracies of Latin American and Brazil in the context of digital transformations. Most Latin American countries, such as Brazil, Chile, and Argentina, have a history of several years of violent dictatorships. Much of these periods were marked by censorship and mass media manipulation. In recent years, social media brought the opportunity for people to organize themselves around political participation, offered them more information and the tools to make public demands directly to congressmen and congresswomen. However, social media have also played an important role in the crisis these young democracies face today, as it also provides a space for hate speech, intolerance, and extremization. At the same time, a myriad of social media practices that revolve around digital transformations and expressions promote different, positive agendas, covering a broad range of everyday activities, sociabilities and subjectivities in various platforms such as YouTube, Twitter, Instagram, etc.
Ever wondered about the local markets for gay print pornography in 1980s Finland? Well, I have, as has Mari Pajala. Our article “Gay Porn, Politics and Lifestyle in 1980s Finland: The Short Life of Mosse Magazine” is just out with Nora – Nordic Journal of Feminist and Gender Research, with free eprint available through this link. And here’s the abstract:
Although the gay press has been seen as central to the formation of the gay movement, entertainment magazines focusing on sex and consumer lifestyle have until recently received little attention in studies on gay history. This article focuses on Mosse, the short-lived gay porn magazine published by mainstream publishing company Lehtimiehet in Finland between 1983 and 1985. In addition to nude photos and porn stories, Mosse featured articles on gay politics and lifestyle. Analysing Mosse’s attempt at creating a market for a new kind of gay magazine, the article explores the relationship between commercialism, porn and gay politics in Mosse. The article argues that Mosse, alongside other porn publications, explored themes of gay liberation and gay consumer culture at a time when the discussion of gay issues was limited in so-called legitimate media in Finland, in part due to legislation which criminalized the “encouragement” of homosexuality. In its articles on gay politics and lifestyle, Mosse positioned Finland as lagging behind Western countries, with Sweden and Denmark figuring as ideals of progress. Despite its modest circulation and short lifespan, Mosse’s very existence is significant as a sign that it was possible to imagine a Finnish gay consumer market in the first part of the 1980s.
Out a year ago, Many Splendored Things is being read by game scholars, which is fantastic. Adding to the thrill, some of them like it. Recent reviews are out from Ashley Darrow for the Manchester Game Studies Network and from Miguel Sicart for a WiderScreen special issue on sex and play. I’m taking Sicart’s definition of this being “one of the most important books on play” as an objective fact.
An excerpt from our new book with Kylie Jarrett and Ben Light, NSFW: Sex, Humor, and Risk in Social Media, is up at Literary Hub, just here. With the title, “What does ‘NSFW’ Mean in the Age of Social Media?”, it’s actually the first part of our chapter on dick pics and looks at the different roles that humor and gendered naked bodies play in the viral logics of social media.
Edited by Anne Fleig and Christian von Scheve, Public Spheres of Resonance: Constellations of Affect and Language, is out with Routledge. It has a fabulous lineup, from Anna Gibbs to Britta Timm Knudsen and Ann Cvetkovich. And me! My contribution is titled “Resonant Networks: On Affect and Social Media” and, well, asks how the concept of resonance may work in studies of social media. This is the intro/abstract:
In an era of clickbait journalism, Twitter storms, and viral social media campaigns varying from social protest to commodity promotion, it has become strikingly clear that networked communications are not merely about critical rational exchange or functional information retrieval, but equally – and perhaps even more explicitly – an issue of affective exchanges and connections of both the fleeting and more lasting kind. As argued in this chapter, the notion of affective resonance provides a means of accounting for encounters with the world in which bodies move from one state to another, and possibly become transformed in the process. This conceptualization is hardly specific to online phenomena as such, and it is used here to explore affective encounters between people, networks, interfaces, apps, devices, digital images, sounds, and texts in the context of social media. Moving from my own considerations of resonance in connection with online pornography to examinations of the role, both pronounced and not, that affect has played in Internet research, this chapter asks how affect matters and makes things matter in a contemporary media landscape driven by the quests for attention, viral circulation, and affective stickiness.