Written together with Feona Attwood, Clarissa Smith, Alan McKee and John Mercer, our article both recapping and elaborating on our argument in the Objectification book that came out last year, Sexual Objects, Sexual Subjects and Certified Freaks: Rethinking “Objectification” is just out today with MAI: Feminism and Visual Culture. It is written with pedagogical purposes in mind so as to be accessible to undergraduate students, and is on open access.
Category Archives: academic pleasures
Our article with Mari Lehto, titled ‘I feel the irritation and frustration all over the body’: Affective ambiguities in networked parenting culture is freshly out with The International Journal of Cultural Studies, on open access. The fieldwork was all Mari’s, and here’s the abstract:
This article investigates the affective power of social media by analysing everyday encounters with parenting content among mothers. Drawing on data composed of diaries of social media use and follow-up interviews with six women, we ask how our study participants make sense of their experiences of parenting content and the affective intensities connected to it. Despite the negativity involved in reading and participating in parenting discussions, the participants find themselves wanting to maintain the very connections that irritate them, or even evoke a sense of failure, as these also yield pleasure, joy and recognition. We suggest that the ambiguities addressed in our research data speak of something broader than the specific experiences of the women in question. We argue that they point to the necessity of focusing on, and working through affective ambiguity in social media research in order to gain fuller understanding of the complex appeal of platforms and exchanges.
My book very long in the making, Dependent, Distracted, Bored: Affective Formations in Networked Media, is out April 20 with MIT Press. To mark the occasion, I’m doing an IIPC debate talk the day after summing up some of its central themes and points. Join us April 21, 5:15pm EET, at https://utu.zoom.us/j/67932423692. This is the abstract:
According to a dominant narrative repeated in journalistic and academic accounts for more than a decade, we are addicted to the digital devices, apps, and sites designed to distract us, which drive us to boredom and harm our capacities to focus, relate, remember, and be. Focusing on three affective formations — dependence, distraction, and boredom — as key to understanding both the landscape of contemporary networked media and the concerns connected to it, this talk challenges the dominant narrative and argues for the centrality of accounting for complexity and ambiguity instead. Dependence and agency, distraction and attention, boredom and excitement can be seen as dynamics that enmesh, oscillate, enable, and depend on one another — and, in some instances, cannot be told apart.
The 17th Technology, Knowledge & Society conference, hosted by University of Melbourne and held entirely online, takes place April 8-9, 2021, with the overall theme “Considering Viral Technologies: Pandemic-Driven Opportunities and Challenges”. Very excited about doing a live plenary & garden conversation (8 April 2021 08:00AM CST Chicago // 8 April 2021 16:00PM Finland // 8 April 2021 11:00PM Melbourne) around my soon out book, Dependent, Distracted, Bored: Affective Formations in Networked Media (MITP).
Our article with Jenny Sundén is very freshly out with the Qualitative Research Journal, on open access as part of a forthcoming special issue on Activist methodologies inside and outside of academy, edited by Gabriele Griffin. Titled “We Have Tiny Purses in Our Vaginas!!! #thanksforthat”: Absurdity as a Feminist Method of Intervention, it focuses on the Twitter account, Men Write Women, “Where the women are made up & their anatomy doesn’t matter“. This one virtually wrote itself: hope some of the fun communicates.
Join us February 25 for a webinar with the Padova Science, Technology & Innovation Studies (3pm, GMT+1). I’ll be talking on my forthcoming book on affective formations in networked media (out in April with MITP), with an intro from Cosimo Marco Scarcelli (University of Padova) and with Manolo Farci (University of Urbino) and Paolo Magaudda (University of Padova) as discussants.
Mediating Presents, a special issue I coedited with the fantastic Rebecca Coleman, is just out with Media Theory (on open access). As we suggest in our summary, “it is both productive and necessary to think together ‘the present’ and mediation to understand how various interlocking aspects of socio-cultural life are currently produced, organised and arranged, embodied and affectively experienced. The contributions to the special issue see time not as a neutral backdrop to, but as actively constituted by and constitutive of, (digital) media, and develop broad understandings of both media and the temporality of the present/present temporalities. The special issue develops theoretically informed and engaged understandings of digital media presents, drawing from and expanding a range of theoretical traditions, including feminist, queer and anti-racist theory, science and technology studies, media theory, philosophy and cultural theory. They similarly take seriously an array of objects, practices and processes, extending from public and academic debates and figurations, mundane and routinised activities, the affordances of specific platforms and computational and data-driven software.”
Contributors include Xin Liu, Beckie Coleman, Ella Harris, Chris Ingraham, Nishat Awan, Helen Pritchard, Jara Rocha, Femke Snelting and Tony D. Sampson – plus yours truly with Distracted Present, Golden Past? critically examining zeitgeist diagnoses equating networked media with notions of loss.
Our “Nipples, memes, and algorithmic failure: NSFW critique of Tumblr censorship” is just out on open access with New Media & Society. Elena Pilipets is very much the first author with her methods magic.