Ever wondered about the local markets for gay print pornography in 1980s Finland? Well, I have, as has Mari Pajala. Our article “Gay Porn, Politics and Lifestyle in 1980s Finland: The Short Life of Mosse Magazine” is just out with Nora – Nordic Journal of Feminist and Gender Research, with free eprint available through this link. And here’s the abstract:
Although the gay press has been seen as central to the formation of the gay movement, entertainment magazines focusing on sex and consumer lifestyle have until recently received little attention in studies on gay history. This article focuses on Mosse, the short-lived gay porn magazine published by mainstream publishing company Lehtimiehet in Finland between 1983 and 1985. In addition to nude photos and porn stories, Mosse featured articles on gay politics and lifestyle. Analysing Mosse’s attempt at creating a market for a new kind of gay magazine, the article explores the relationship between commercialism, porn and gay politics in Mosse. The article argues that Mosse, alongside other porn publications, explored themes of gay liberation and gay consumer culture at a time when the discussion of gay issues was limited in so-called legitimate media in Finland, in part due to legislation which criminalized the “encouragement” of homosexuality. In its articles on gay politics and lifestyle, Mosse positioned Finland as lagging behind Western countries, with Sweden and Denmark figuring as ideals of progress. Despite its modest circulation and short lifespan, Mosse’s very existence is significant as a sign that it was possible to imagine a Finnish gay consumer market in the first part of the 1980s.
An interview on our new book and what the whole thing is about is freshly out in the MIT Press Reader. And this is the editors’ intro:
The hashtag #NSFW (not safe for work) acts as both a warning and an invitation. NSFW tells users, “We dare you to click on this link! And by the way, don’t do it until after work!” Unlike the specificity of movie and television advisories (“suggestive dialogue,” “sexual content”), NSFW signals, nonspecifically, sexually explicit content that ranges from nude selfies to pornography. But Susanna Paasonen, Kylie Jarrett, and Ben Light, the authors of “NSFW: Sex, Humor, and Risk in Social Media,” argue that when applied across the board to all kinds of sexual images and formations, “the tag NSFW flattens crucial differences between them under the opaque blanket of offensiveness, riskiness, and unsafety that it connotes.” They maintain that if we are to envision social media ecologies capable of accommodating sexuality as a field of pleasure, communication, occupation, and world-making, it is crucial to resist categorical effacement of sexually suggestive and explicit content.
We asked Paasonen, Jarrett, and Light about how subjectivity and politics contribute to the nuances of what is designated “not safe for work,” how the hashtag reinforces our culture of heterosexism, and about its effects on the careers of sex workers across social media platforms.
Out a year ago, Many Splendored Things is being read by game scholars, which is fantastic. Adding to the thrill, some of them like it. Recent reviews are out from Ashley Darrow for the Manchester Game Studies Network and from Miguel Sicart for a WiderScreen special issue on sex and play. I’m taking Sicart’s definition of this being “one of the most important books on play” as an objective fact.
An excerpt from our new book with Kylie Jarrett and Ben Light, NSFW: Sex, Humor, and Risk in Social Media, is up at Literary Hub, just here. With the title, “What does ‘NSFW’ Mean in the Age of Social Media?”, it’s actually the first part of our chapter on dick pics and looks at the different roles that humor and gendered naked bodies play in the viral logics of social media.
Edited by the one and only Ricky Varghese, and in the making for quite a while, RAW: PrEP, Pedagogy, and the Politics of Barebacking is freshly out from University of Regina Press. It includes “Strange optimism: Queer rage as visceral ethics”, my exchange with Paul Morris of Treasure Island Media looking at how the notion of ethics might map onto their production practices and Paul’s career in pornography more generally. I continue to believe that we need more dialogue with people producing the objects we study, are we to better understand how they perceive the significance, context and purpose of it all. Working with Paul is always surprising and pleasurable – and of course this book has the best cover.
Voilà, at https://blogit.utu.fi/sexualcultures/programme/, you can witness the excitement that the 3rd Sexual Cultures Conference: Play, May 28-29, is going to be. Should you miss out, urgent FOMO can be fought by hanging onto Twitter backchannels with #sexcult19, but that won’t be the same, really. So, see you in Turku!
Forthcoming from MIT Press in October, NSFW: Sex, Humor, and Risk in Social Media, co-authored with the fabulous Kylie Jarrett & Ben Light, now has a cover. And great it is; apparently it will be fluorescent! Here’s the book description:
An exploration of how and why social media content is tagged as “not safe for work” and an argument against conflating sexual content with risk.
The hashtag #NSFW (not safe for work) acts as both a warning and an invitation. NSFW tells users, “We dare you to click on this link! And by the way, don’t do it until after work!” Unlike the specificity of movie and television advisories (“suggestive dialogue,” “sexual content”), NSFW signals, nonspecifically, sexually explicit content that ranges from nude selfies to pornography. NSFW looks at how and why social media content is tagged “not safe” and shows how this serves to conflate sexual content and risk. The authors argue that the notion of “unsafety” extends beyond the risk of losing one’s job or being embarrassed at work to an unspecified sense of risk attached to sexually explicit media content and sexual communication in general. The authors examine NSFW practices of tagging and flagging on a range of social media platforms; online pornography and its dependence on technology; user-generated NSFW content—in particular, the dick pic and associated issues of consent, desire, agency, and social power; the deployment of risqué humor in the workplace; and sexist and misogynist online harassment that functions as an enforcer of inequalities. They argue against the categorical effacement of sexual content by means of an all-purpose hashtag and urge us to shift considerations of safety from pictorial properties to issues of context and consent.