Sooner than expected! Out in October, my Many Splendored Things: Thinking Sex and Play has already been reviewed, not once, but twice — apparently with more to follow. Voilà, Katherine Angel for Times Higher Education (behind paywall) and João Florêncio for Theory, Culture & Society. Always a thrill to be read.
Category Archives: media studies
Abstract: Pornography has played a crucial, albeit often neglected role in the development of Web solutions and e-commerce. Gaming and online shopping, for example, picked up towards the end of the 1990s while pornography remained, virtually from the launch of the first graphic browsers, one of the few forms of content that users were willing to pay for. Consequently, safe credit card processing systems, streaming video technologies, hosting services, as well as practices such as banner advertisement and pop-ups, were first developed for the needs of, and used on porn sites. Pornographic continues to quickly migrate to new media platforms and formats, yet its position is crucially different in the context of social media than it was in the Web cultures of the 1990s. The role of porn as a driving force in dot.com enterprise has clearly passed. Pornographic content is actively weeded out from most social media platforms and targeted advertising while broad diagnoses on the pornification of media culture continue to abound. According to these, pornographic aesthetics have grown ubiquitous enough to infiltrate diverse visual practices from social media profiles to selfies.
This chapter examines the development of web pornography from homegrown enterprises of the early 1990s to the increasing visibility of sexual subcultures and the presence of established studios and companies on online platforms, the shift from gonzo and reality pornography to the ubiquity of amateur productions and the centralization of porn distribution on video aggregator sites, notably many of which are run by the same company. Addressing independent, amateur and commercial enterprises as well as the complexities and paradoxes that such categorizations involve, the article explains how Web technologies and the centrality of search functions in particular have affected the development and uses of pornographic content, what kinds of sexual taste cultures have emerged, how the public visibility of pornography as a media genre has been altered in the course of its online distribution, as well as how all this connects to media policy and practices of regulation. All this necessitates understanding the production of web pornography, as well as the notion of the porn industry that it involves, as characterized by inner distinctions and constant fragmentation.
I’m very happy to announce that the CFP for the 3rd Sexual Cultures Conference: PLAY, University of Turku, 28-29 May, 2019, is now out. Confirmed keynote speakers include Tom Apperley (University of Tampere), Kane Race (University of Sydney) & Katrin Tiidenberg (Tallinn University).
The 3rd Sexual Cultures Conference focuses on the notion of play, understood as autotelic practices of pleasure where the enchantment of the activity is an end in itself. As the game studies scholar Miquel Sicart nevertheless notes, the pleasures of play can be ambivalent indeed: “Play is not necessarily fun. It is pleasurable, but the pleasures it creates are not always submissive to enjoyment, happiness, or positive traits. Play can be pleasurable when it hurts, offends, challenges us and teases us, and even when we are not playing. Let’s not talk about play as fun but as pleasurable, opening us to the immense variations of pleasure in this world.”
Building on this understanding of play, as well as sex, as variations of pleasure, the conference sets out to ask what happens if we consider sexual representation, networked forms of connecting and relating, or the experimentation with sexual likes though this prism? Indeed, what might studies of sexual cultures foregrounding the complexity and centrality of pleasure, look like? This is what we invite you to think with us.
Possible themes and topics include, but are not limited to examinations of play and playfulness in relation to:
* hook-up cultures
* sex education
* sex and gaming
* sexual histories
* kink cultures
* sexual identifications
* leisure sex
* sexual harassment
The conference will have a registration fee of 150€ inclusive of coffees and conference dinner. To propose a paper, please send a 300-word abstract and short bio (max. 100 words) to https://www.lyyti.in/sexualCultures_abstractsSubmission by January 31, 2019. Registrations will be made available in late February, 2019. For any practical info, please contact conference services email@example.com. On issues connected to the academic programme, please contact program chair Susanna Paasonen at firstname.lastname@example.org.
The conference is jointly organized by the Academy of Finland research project, Sexuality and Play in Media Culture, The Department of Media Studies and IIPC, the International Institute for Popular Culture, at the University of Turku.
In case you happen to be around in Aarhus late this month, please join us for the Affects, Interfaces, Events conference August 29-30. According to organizers’ overall rationale, “The proliferation of digital and interactive technologies in most aspects of our daily lives produces an intensified distribution of affect. Existential conditions change through affective interface foldings of bodies, subjectivities and technologies. The conference Affects, Interfaces, Events investigates how affective interface events – on a micro- and macro-level – reinforce or challenge these changes. A major concern of the conference is to consider interface modulations on an affective, social, aesthetic, and political level.” In addition to keynotes from Erin Manning, Brian Massumi, Andrew Murphie and myself, the programme has an exciting selection of panel sessions. Looking forward.
Our entry for the Association of Internet Researchers (AoIR) blog with Kylie Jarrett and Ben Light is just out. “4 inches of embarrassment: humour, sex and risk on mobile devices” explores the continuities between nimping and trolling practices of the desktop computer era and that of personal mobile devices. It’s also one of the teasers we’re pushing for our forthcoming book, Not Safe for Work: Sex, Humor, and Risk in Social Media (with MITP).
For most of the past week spent at the MAGIS FilmForum Spring School (section: Porn Studies – Pornography. Margins and Extremes) I have, besides learning new things and meeting excellent people, spent marvelling at this cover design for my book, Many Splendored Things, forthcoming from Goldsmiths Press next Autumn. The final subtitle is Thinking Sex and Play, I am doing the very last fixes and this, indeed, is the cover. A friend said that it looks like subspace feels, which I figure is the highest of compliments to pay a designer asked to translate some of the intensity and fleshy pleasure of sexual play into visual format. As someone who all too keenly judges books by their covers, I find this very gratifying.
Anyone around in Toronto in March? If so, I’m lucky enough to contribute to the MsUnderstanding Media: The Extensions of Woman talk series at University of Toronto’s McLuhan Centre for Culture and Technology on Monday the 19th. And what’s more, it’s a double feature with the fabulous Wendy Chun discussing sexuality, gendered online shaming and much more, under the title, “Shame, shame, shame (refresh)”. The series sets out to “foreground how a feminist focus on ‘the extensions of woman’ renews McLuhan’s concern with the politics of pace, pattern and scale in our everyday technological objects”. Faithful to the theme, my contribution explores dick pics as extensions of man, building on the #NSFW book project I’m currently finishing together with Kylie Jarrett and Ben Light for MIT Press.
The Autumn book season is on – and behold, even 2018 titles are already out! These include The Routledge Companion to Media, Sex and Sexuality, edited by Clarissa Smith, Feona Attwood and Brian McNair, as well as Sex in the Digital Age, edited by Paul Dixon and Isabel Düsterhoft (also for Routledge). Much interesting scholarship just there! By means of self-promotion: the former has a text of mine on user-generated pornography and the elusive notion of authenticity, the latter a chapter on the affective and affectless bodies of monster toon porn.
Happy day! The Academy of Finland just gave us funding for a four-year research project, “Sexuality and Play in Media Culture”. Focused on how theories of play can advance feminist and queer research on sexuality and open up novel ways of understanding the formation of pleasures and identifications in media culture, the project spans from activism to pop and smut. Very exciting.
My short text, “Learning to Play,” for the Screening Sex blog run by Darren Kerr and Donna Peberdy is just out this very minute. Looking at one scene in Jan Soldat’s short documentary film, Coming of Age (2016), the text makes some proposals toward thinking about sex through the notion of play. This would be my current pet project, so more is to follow.